Kaash Mere Hote Songs Download And Music Review

“Mera Mann Kyun Tumhe Chaahee…” (MANN -1999) brought the promising musical duo of Sanjeev Darshan in filmdom. The magic was out there but consistency was missing in their following melodic works. After a hiatus of almost half a decade, the duo fights back their way out in the low profile entertainer, KAASHH MERE HOTE, with the musical feel that best reflects out the glowing charms and prowess of their mentor’s (Nadeem Shravan) style of music. Will KAASHH MERE HOTE be turning the tables and creating forum for this struggling musical duo? Will the resurrection of 90′s magical musical charm be working bliss for them? Let’s take a deep introspection into it!

“Teri Naganee”, an ethnically Punjabi song with loud “bhangra” beat bangs and deliriously rocking arrangements. The “masti” gets energized with hi-voltage DJ mixing as the feverish “club” remixing grooves rules the floor with thumping impacts.

Sanjeev-Darshan pick up new vocalist Shashank Singh Baba to be youthful “chosen” voice for their comeback album and expectedly the singer gets a major chunk of the lot with solo track “Mehbooba”. Shashank Singh Baba makes another romantic solo maneuver in “Teri Yaad” that comes with a slightly better sounding composition. Sanjeev-Darshan makes topsy-turvy moves with varying shades of percussions and electronic beat sounds that grow infectiously in its narrative flows.

It’s time for some soothing melody and the mood gets somber with impressive sounding title track “Kaashh Mere Hote”. Shweta Pandit’s penetrative voice in lower subtle tones leaves out an impression that gets accentuated with pleasing classical westernized orchestrations. Sanjeev-Darshan’s music solemnizes the supple romantic feel of “Hamara Dil Aapke Paas Hai” (HAMARA DIL AAPKE PAAS HAI) with soothing flute notes in its preludes.

Sanjeev-Darshan make efforts in brining out 90′s Bollywood charms by picking up contemporary Nadeem-Shravan’s peculiar style of composing in “Rim Jhim Sawan”. It brings back Shashank Singh Baba with sweet sounding Shweta Pandit in softer romantic tones. Sameer’s worthwhile wordings would have been bliss in early 90′s but now phraseology sounds outdated with music that is more akin to lure 90′s listeners.